memories

Essay: Hyacinth

Someone brought a planter of hyacinths into the office earlier this week, and I've dreamed of my old church for the past three nights.

The powder-sweet smell infiltrated my subconscious, I think. Of all the senses, smell is said to be the most closely bound to memory. Did you know that losing your olfactory abilities could be a predictor of Alzheimer's? Sort of gives another dimension to the phrase, "stop and smell the roses."

I don't need to stop for the hyacinths. They sit above my desk and rain their scent down on me all day. I'll forget it for a time, the way you lose the clean bite of chlorine after a few minutes at the pool. Then, out of nowhere, I can smell them again, so thickly that I inadvertently visualize a fog of yellow pollen coating my sinuses, lining my sticky air tubes, clinging to the wetness of my lungs.

The smell delivers me into the sanctuary, sitting stiffly in a pew, trying to hike up my pantyhose without causing a scene. Glossy black flats bite the backs of my heels. My coat is in my lap, because even though it's Easter and the sun is cutting through the tall windows and threatening to burn the right side of my face, frost had grayed our yard this morning.

There is a problem with the way my memory works. The smell of hyacinths took me to church, but I did not see the purple fireworks of petals on the altar ahead of me. I felt burning sunlight and blistered ankles. 

Not only that, but the memory always spirals off, into the Sunday school room where the smiling, dismissive teacher explains the sin of homosexuality, describing queer people in an abstract, alien way. He says, "there are people out there," not realizing that there are people in here, in his room, trying to love without sacrificing their eternal life. 

But I say nothing.

A friend speaks up, questions whether love could ever be something that deserves damnation. The teacher asks if my friend has something to tell us, and it's a joke, and we're a room of high schoolers, and when the teacher laughs, we laugh.

My friend leaves. I stay. I regret this for years, and I think of it when I smell the hyacinth that should remind me of the arrival of spring and other joys.

That's what my brain does. It shoves aside the good memories as it dives into the depths for the dark and shameful ones. It does this at night as I process my day, repeating and repeating every conversational mistake, every occurrence of unkind thoughts, every real or imagined expression of disappointment from others. It does it when I smell sawdust and remember crying in front of a room of art students because it reminded me of my dead Pappa's barn. It does it when the heat draws up the bitter scent of asphalt and I'm transported to the second before I fainted in high school marching band, collapsing under the drums I'd insisted I was strong enough to carry.

Only with great pressure does my brain retrieve the rest of the memories.

Every kind word I share with my friends, every time I make them laugh. The shrieking joy of invading Pappa's workspace and striking him square in the back with a Super Soaker, of seeing his smile before he's even turned around. The drumline instructor jabbing a finger at the rest of the line and saying:

"Look at her! Look at how hard she works! Look at what she can do! Don't you dare let her down!"

The memories are there, down where the light can't always reach. I have to deliberately draw them up.

So do you.

There's a memory I keep under a glass jar, fending off any darkness that might force its way in. 

It's summer, and I'm on an island in the Great Lakes, peddling a rented bike on hard-packed sand. I'm alone, but in the kind of way where I'm at my most whole. I tour a winery, and I'm too young to drink, so instead of wine I sample Catawba grape juice with a powder-sweet taste. 

I ride past the vineyard that grew the grapes I drank. Rows and rows of vines and bunches of unripe fruit, green clusters of pearls. Hot wind shuffling broad leaves.

I reach the far end of the island and lay the bike against a dune, among hardy purple flowers. Ahead of me, water that could stretch to the end of the world, flecked with sails and diving seagulls, blue and white and flashing. My heart aches, like some force has reached from the lake and into my ribcage, grasping my soul, pulling me forward.

Barefoot, I flinch at the coldness of the water enveloping and then retreating from my toes. 

I walk in, step by measured step, the cold dulling as my skin numbs. The bottoms of my shorts are wet and clinging. An errant wave pushes me up, swallowing my hips, then pulls me further out from the shore. 

I smell the sunscreen washing away from my arms and the damp organic odor of aquatic plants baking on the sand. I smell the green of summer foliage and the fragile perfume of flowering weeds.

I breathe deeply through my nose before I sink beneath the surface.

Weirdest Kid on the Block

I updated the design of my What the Douglas emails this week and contemplated changing the preheader line, which is something like, "News and updates from the weirdest kid on the block." But I didn't consider it for long, because on a weirdness scale of dry, unbuttered toast to a sculpture of Weird Al made entirely of butter and toast, I'm a solid "high-kneeing it down the street to the tune of Take On Me."

A young Abi G. Douglas ritually sacrificing a pumpkin.

A young Abi G. Douglas ritually sacrificing a pumpkin.

OK, so maybe that weirdness scale is imperfect, because as weird as a breakfast-food depiction of a quirky celebrity is, it's definitely not the weirdest thing out there. The problem with a weirdness scale is that "weird" is subjective and difficult to define. I mean, to the ancient Scots, it used to refer to fate and destiny. How weird is that?

Despite the trouble with defining weirdness, everyone knows what and who is weird.

Except if you're the weird one.

I remember the moment in which I realized people considered me strange. It was toward the end of middle school, and a friend described me as "awkward." She meant it to be endearing, but it also clicked the world into a new perspective for me. Suddenly, it dawned on me that the behavior I considered "normal" for myself was not quite "normal" for everyone else. 

Picture this: The "twist revelation" theme from the Saw movies is playing as the camera zooms in on middle school Abi's face, and a montage of memories flashes by. Little Abi pretending to be a red blood cell in the elementary school hallway. Abi leashing an imaginary, floating elephant to her desk during Social Studies, unaware that her method of practicing tying a bowline would be seen as peculiar. Abi carrying a stuffed animal with her to classes, well past the age that toys are appropriate in the classroom, until a teacher has to stop her because it is just so awfully cringe-worthy. Abi drawing comics starring her friends as animals because she has trouble telling human faces apart and understanding her place in the friend group. Abi talking to her imaginary friends at age 13. Abi licking another girl in the shower and being laughed at, oblivious until now that she'd been the butt of a joke, of so many jokes.

The camera pulls back, and Abi murmurs, "Holy sauerkraut, I was weird all along."

It was both a funny and traumatizing experience for me. The scales had fallen from my eyes and I saw for the first time just how weird and embarrassing and "other" I was. I was so ashamed. I wanted to cry, but would that be "awkward"? I wanted to defend myself, because after all this time thinking I belonged, I now had a mountain of evidence proving that I didn't, and it had been right under my nose all this time. How could I not have known? 

That was a turning point. My life became piloted by shame and the looming question: "Am I being weird right now?" I questioned everything I said, everything I did, but I still failed to prevent the inevitable outbreaks of strangeness. My impulse to be loud and imaginative and off-the-wall was constantly at war with the new voice in my head that told me I was an embarrassment and a burden and an outsider (and not even the cool, edgy kind of outsider, either).

My entire high school experience was consumed by that war. I felt so separated (thanks largely to my own efforts to separate myself) that I missed out on much of what it was to be a high school student, which served to isolate me even more. It wasn't just that I wasn't comfortable in my skin... All those lessons of "It's what's on the inside that counts" reinforced my fear that who I was, deep beneath the skin, was irreparably wrong. I spiraled in on myself. It was the weirdest kind of narcissism.

I can't remember much of high school. What I can remember is so stained with shame that I rarely care to revisit it. Well, except for when I'm lying awake at night, replaying some bizarre interaction from a decade ago and kicking myself for mistakes that nobody else even remembers.

 By college, I was exhausted from the constant battle with myself. So I let the weird run wild, more or less resigned to living the rest of my life as a punchline or a blight. But then college did what it so often does and connected me to other weirdos who didn't remember the many years I spent insisting that I was a cat named Henry or claiming (and truly believing) that there were clumps of "alien DNA" under the skin of my forearm. 

Two magical things happened:

  1. Other people embraced and celebrated my weirdness.
  2. I embraced and celebrated my weirdness.

I've been living the authentic weird life ever since.

It occurs to me that, with the substitution of certain memories and words, this could double as my coming out story. The realization came to me at about the same time, and I finally embraced THE GAY in my soul right around when I embraced THE WEIRD. I guess the "licking a girl in the shower" memory could work for both stories...

ANYWAY. I'm still self-conscious and prone to shame and toxic introspection, but I'm also proud of my weird ways. Being weird helps me make people laugh, and spurs me to imagine adventures that I can share through my writing, and allows me to see the world in ways that are unique to me. 

So, you should feel free to be weird, too. Because everyone falls somewhere on that weird scale. Share the odd thoughts in your head. Wear those funky clothes. Don't be afraid of being awkward or embarrassing. I promise there are people out there who love your brand of bizarre. 

I'm one of those people.

Let's get weird.

Start weird, stay weird. Maybe even get weirder. 

Start weird, stay weird. Maybe even get weirder.