NANOWRI-WHOA!

Yup, it's that time again. Time to write a novel. Just spew it out there. A whole book.

So that's where I'm gonna be for a month. But I'm also gonna pop up a writing prompt for every day! So, I'm about to add another 4 prompts to make up for lost time.

Don't know what Nanowrimo is? Check out their website! In fact, don't just check out the site. Add me as a writing buddy! Buddy up with me by clicking here. My handle is "cheerchime," and I'd love to be your writing bud. 

So! Let's write us a novel, yeah? GO!

Preview of Necessaries

Please pardon my absence in the past few days. Because I'm lazy- ah, I mean, to make up for it, here is a portion of the first chapter in my novel, Necessaries.

           When the aliens were finished with Polly, they deposited her on the steps of the Soldiers' and Sailors' monument with a Manhattan in her hand, which was a thoughtful gesture. She came to standing bolt upright and staring into the traffic of Monument Circle, the knowledge of her abduction as solid and unavoidable in her head as the elaborate tower in the circle's center. The constant, slow swirl of early morning commuters hypnotized her, and she couldn't tear her gaze from the moat of cars until her attention was disrupted by sudden nausea. She vomited in a thick arc that slapped against the cement and drooled down the steps in a lumpy, sluggish waterfall. She wiped a trace of bile from her face with the back of her free hand before inspecting the cocktail. The drink smelled like Christmas and, when she tipped the glass so the caramel liquid could touch her lips, it tasted like pine needles marinated in battery acid. Polly retched but refused to toss the liquor aside, despite the increasing glances cast from pedestrians. Cupping the glass close to her chest, she staggered down the steps and into the shadow of the stone banister for a bit of privacy.

            The sculpted soldiers on the tiers above her averted their eyes from her slumped and shivering body. In all her years living in the city, Polly had never properly observed them. Now that her eyes thirsted for a familiar sight, she drank them in. They didn't look like the rigid, victorious soldiers of her memory. They squinted, leaned, huddled, and drooped. They pulled the reigns of stubborn stone horses and reclined, frozen in conversation, around a campfire. Some were dead. She turned her attention back to her drink when she could no longer tolerate the discomfort from twisting her neck to see them. She took a braver sip and endured the blaze of its descent into her stomach, a swallowed comet. She then took inventory of herself.

            "Polly Hilton," she said to taste the name and see if it was still hers. It felt natural on her tongue. She nodded to herself in affirmation. So far, so good. She proceeded to her clothes, also familiar, though unusual. Her dress-up blouse, slightly over-frilled and dangerously green. She groaned at her calf-length black skirt, obviously meant to disguise her wide hips and thick thighs. Only a few of the sequins that once ringed the hem remained intact. These were not part of her normal couture. These items spent most of their days crushed into the back of her closet, retrieved only when jeans and band tees couldn't be socially justified. She slipped a small purse from her shoulder and, after another nip, set aside her Manhattan to investigate the contents. She pulled her wallet free and found it to be light, but not empty. Her phone, however, was nearly drained. The only evidence of last night's doings was a message from a coworker inviting her to drinks with the rest of the wilting grocery department gang. Polly hadn't replied because she hadn't intended to go. She scanned her surroundings again. Apparently she'd changed her mind.

            Polly reassembled her bag and grabbed her cocktail before standing again. As far as she could tell, she'd gone out for drinks and been taken by aliens in the process. Her heart began to race. No, that couldn't be right. And yet the thought was there, pushing through all of her logic. She'd been taken, she was sure of it, but at the same time her rational mind knew it to be impossible. Her throat seized as if she might vomit again, but she forced herself to focus in the Batman-like silhouette of the Blue Flag Tower until the feeling passed. She lifted the glass for another taste.

            Someone knocked the glass from her grasp before it reached her mouth. A firm hand closed on her elbow and pulled her from her hiding place. She bobbed along with her captor like a balloon behind a child, down the steps, around the water features, onto the sidewalk.

            "You're going to be arrested," said the woman holding Polly's elbow.

            "Okay," said Polly.

            "Not okay," chided the woman, stopping so abruptly that Polly stumbled and broke free of her hold.

            Once she'd corrected herself, Polly squinted at the woman. Though her eyes were dry from contacts that had obviously been in place for far too long, she could clearly see the deep wrinkles in the woman's dark, round, jowly face. The woman was slightly shorter than Polly, despite her rigidly upright posture. Her clothes incorporated every hue Polly had ever seen in home improvement paint aisles arranged in flowery patterns and whorls. Polly recognized the garish ensemble, though she couldn't recall why.

            "I didn't take you for that kind of person," the old woman told Polly.

            Polly shrank with guilt as the woman shook her head and gazed out into the ring of traffic, radiating disappointment.That kind of person. What was that kind of person? The kind that soiled military monuments with puke? The kind that sampled drinks that might have come from extraterrestrials? The kind that worked in a chain grocery store years after graduating from an expensive school, trapped in a mire of mindless repetition, devoid of motivation, drained of passion?

            "Oh God, I am that kind of person," Polly wept, slumping against a light pole and cupping her hands over her face.

            The woman appeared surprised and a touch embarrassed by the sudden emotional shift. She shuffled uncomfortably as Polly continued to cry and snort back globs of snot. She reached a hand toward her shoulder, but then withdrew, as if Polly were a very sad cactus in need of comfort and the woman wasn't quite sure how to handle the needles. Polly blubbered an apology and sank further down the light pole. The woman apologized in return for upsetting her and tried to coax Polly back up the pole, mentioning that she was drawing stares. This well-meant observation succeeded in collapsing Polly entirely. She landed hard on her tailbone, a pain she felt she deserved, like a spanking from the city.

            "What happened to you?"

            Polly detected mostly amazement in the woman's tone. The fact that it wasn't disgust gave her the strength to lower her hands, slick with caught tears. "Aliens," she answered. When the woman's eyebrows lowered in suspicion, Polly continued. "I was abducted by aliens. That's the kind of person I am. The abduct-able kind."

            "What makes you think you were abducted by aliens?" The woman's voice was too grave for the subject matter.

            Polly sniffled and tried to pull her scattered thoughts together. "I just know. I was in my apartment and then... then there wasn't an apartment. There were lights, and I was spinning. Someone was talking in my head. Oh my God, I've lost it. I'm going to be institutionalized."

            Before Polly could succumb to the fresh wave of panic, the woman interrupted her. "What was the voice in your head saying?" she asked.

            "You want to know if it was telling me about government conspiracies or demanding that I kill people?" Polly giggled, the beginnings of mania coloring her words. The woman's stony expression pressured her to go on. "It was equally crazy. The voice told me I was chosen as 'fuel' for a civilization beyond my comprehension, and that I was going to be called to action. I don't know what that means! But there's something in me insisting that aliens took me and did something to my body and I-"

            "What sort of something?" The woman's voice had lifted several pitches. Alarm, fear.

            "I don't, I couldn't, I don't know," Polly stammered, confused by the stranger's intensity. "Listen, lady, I've had a psychotic break. I'm delusional. I went out for a drink and got a fugue state instead. I don't know why I'm telling you about my E.T. hallucination."

            Polly had managed to get to her feet while she was discrediting herself. It had finally happened. She'd snapped, rubber band-style, across the city with a head full of crazy and a pocket full of liquor funds. But now she was back to reality. Her reality was a bit blurry and queasy, but she was familiar with its basic components. The competing scents of cooking food and trash trucks, the concrete spire reaching up toward towering office buildings, the eternal distant clatter of construction underway somewhere in the city. Her mundane reality, the static of her life. It was reassuring in its normalcy, comforting in its constancy. And yet it appeared to have contributed to a mental breakdown, complete with memory loss and fantastic hallucinations.

            "Do you remember anything else? Other than the voice and the lights? What did the aliens do to you?" the woman asked. Her eyes, deep brown and intense, locked with Polly's in a way that made her feel trapped.

            "I told you I'm crazy," Polly insisted sharply as she attempted to melt into the light pole. "I just want to go home. I don't even know if I'm supposed to be at the store today."

            That's how she recognized the colorfully clothed woman. She was a regular purchaser of oranges from the produce section Polly oversaw. They'd talked before and her name had reminded her of an old show.

            "Lucy," Polly said as the name returned to her foggy mind.

            Lucy's intensity faded and her lips pursed in a small smile. "I'm sorry to admit that I don't recall your name, but I do remember you. We commiserated over the current state of the economy, I believe. You said some witty things about the job market."

            "I'm Polly," said Polly, and out of professional impulse, she extended her hand. Lucy shook the offered hand with an amused chuckle. Polly could picture her laughing at one of her sarcastic comments as she bagged her oranges. The old woman had seemed legitimately curious about Polly, which both flattered and confused her. They'd had an authentic chat about living in the city without going broke and Lucy had asked her about her education, an aspect of Polly's past that she disliked discussing. However, Lucy hadn't brought the subject up with the disbelief or pity Polly was accustomed to hearing in relation to the use of her degree in her underwhelming job. There were no judgmental head shakes or rude laughs at the English major stuck rearranging vegetables. Lucy had congratulated her on her academic success and her independent gumption. They hadn't spoken since. Polly's will to make small talk with customers had flagged over the past few months as her interest in daily life dwindled. She was aware that her routine was her cage, yet she lacked the "independent gumption" to break free of it. She was ashamed of her apathy initially, but that faded with time as well.   

            "Are you hungry, Polly?" Lucy inquired.

            Polly blinked away her private reflection. "Hungry?"

            "Would you like something to eat?" Lucy rephrased.

            "Maybe a little," Polly downplayed. Now that her attention had been turned to the potential of food, sharp pangs sprouted from her stomach.

            "Come with me. We can have breakfast at my place." 

Bill's Barn Blues

My grandfather, Bill (I call him Pappa), died last week, and his funeral was Saturday. I wanted to come up with something meaningful to post regarding this, but sometimes it's hard to come up with meaning for such an event, even after thinking through every detail. These things happen, and leave you a little numb, a little wounded, but also a little relieved.

Witnessing the death of my grandmother has made this sort of thing easier, but not easy. I didn't watch Pappa die like that. I was lucky enough to see his deterioration in blips. A visit here, a photo texted from my mom there. So it was odd to try to remember the last words we exchanged. I did say goodbye, and that I loved him. I remember him saying, "I wanted to lose weight, but not like this." 

I remember things further back as well. I remember him cackling in his low voice and turning the cold arch of water from the garden house on me. I remember feeding the dogs treats with him out in his barn, surrounded by tools and gloves and spare parts for machines unknown. I remember when he handed me a scythe and turned me loose in the woods to carve a walking path. I loved swinging that scythe. My winding trails are still there, but the woods feel like less of a jungle and more of a cemetery now. 

I remember sitting in the dark living room with my younger brother on Christmas night almost four years ago. We listened to Pappa as he explained splitting phone lines and laying cable. He was sitting next to my grandmother's body. The paramedics weren't there yet, and the rest of the family was in the barn, smoking, shielding themselves from the pain of the loss in shifts. Pappa was different after that. We were all different after that. 

The funeral itself was a little iffy. The pastor didn't really know him, which made the sermon stale and disconnected. Which was fine by me. I don't like to cry in public (although I'm very good at it). What we did after the funeral was better. We grilled meat and drank whiskey and laughed around a bonfire.

That was the true ceremony. No cold, boxed words spoken by a stranger under the rose-hued lights of a funeral parlor. What we had was authentic. A last raucous get-together out by the barn. Hugs. Jokes. Passing around a bottle. Talking truth. My grandparents would have approved. In the darkness, you could almost see them sitting in the shadows across the fire, bundled in sweatshirts and work boots against the autumn chill, smiling.

It's hard to say goodbye to them and their home. The place and the people are tied together eternally in my mind. So I won't say goodbye. I just have to close that door and be satisfied by the summers spent in their company. The past is not lost in the death of loved ones or the sale of their possessions. It's just as real as before, and it's a history to be shared over countless fires to come.

Review: The Taking of Deborah Logan

In the spirit of Octoberween, I'd like to spotlight a movie that features the scariest subject I could think of:

As soon as she figures out how to upload this embarrassing photo of you to Facebook, you're screwed. (Photo courtesy of Tiago Camargo)

As soon as she figures out how to upload this embarrassing photo of you to Facebook, you're screwed. (Photo courtesy of Tiago Camargo)

Old people.

Naaahhh, that was a really cheap joke. I just wanted to use this adorable picture. Elderly folks shouldn't be treated as inherently frightening, but there are certain aspects of growing old that can rattle us at any age. The Taking of Deborah Logan capitalizes on these realities of aging and by doing so creates an innovative (and deeply unsettling) horror film experience. This movie delivers stellar female characters, realistic reactions to alarming situations, and one of the most terrifying shots I have ever seen in a horror movie.

"The Taking of Deborah Logan" movie poster

"The Taking of Deborah Logan" movie poster

The movie follows a documentary team as they film the titular Deborah Logan's experience of Alzheimer's disease. This in itself is scary enough, as anyone who has seen a sufferer or is a sufferer themselves of the disease will recognize the symptoms as they're documented and discussed by the characters. The opening act of Deborah Logan explores the disease and the damage it deals not only to Deborah but to her daughter, Sarah, who is tasked with caring for her mother and preventing the house from being repossessed. The actresses who portray these characters really sell the struggle between mother and daughter with authentic emotion. My one critique of this pair is the (unconscious?) reliance on lesbian stereotypes for Sarah, but I might be picking up on that because my own queerness  makes me privy to all the gay jokes.

Not pictured: her talking about a UHaul, her boyish childhood room, and her bickering about her masculine style of clothing with her mother. Give her a pet pitbull and you've got a home run. I can say this stuff because I'm gay.

Not pictured: her talking about a UHaul, her boyish childhood room, and her bickering about her masculine style of clothing with her mother. Give her a pet pitbull and you've got a home run. I can say this stuff because I'm gay.

Many of the early scares can be attributed to mental deterioration caused by Alzheimer's, and it truly hurts to watch Deborah lose pieces of her brilliant self as her condition worsens. Of course, the disease is pinned for some of the semi-supernatural phenomena the documentary team catches on film. As the disease ramps up and the incidents get increasingly bizarre, it becomes clear to the characters (and the audience) that there is something spookier afoot. In fact, for the first time in any horror flick I can remember, a main character decides to bail rather than continue meddling with the unholy entity that's interfering with their film-making. 

If you haven't caught on, I'm not good at screenshots. 

If you haven't caught on, I'm not good at screenshots. 

Body horror plays a big role throughout the film, which fits with the theme of fearing the things that happen naturally to our bodies over time. If you're squeamish about gore, you won't be writhing on the floor by the time the credits role, but you'll certainly get nervous about scratching an itch too hard for the next... I don't know, possibly century. 

You never know when your skin is just gonna peel off like cellophane from the top of yesterday's tuna casserole. 

You never know when your skin is just gonna peel off like cellophane from the top of yesterday's tuna casserole. 

And OH BOY those gross-outs near the end. The genre seems to shift from psychological horror with some supernatural mystery to what's essentially a monster hunt. I don't want to spoil too much because I want you to experience the revelations for yourself, but I do want to praise the finale. 

By the time it's established that the possessed Deborah is definitely up to no good and is on the run with an abducted child, the only people who are left to pursue and stop her are a female police officer, Sarah, and the primary member of the film crew, Mia. A horror movie with an all-lady final confrontation. I could just pee myself.

But I won't, because I already peed myself during that final confrontation. As a found-footage film, Deborah Logan does have some shaky, frustrating shots toward the conclusion, which takes place in a tight, low-light location. It's a dizzying few minutes of shuffling and shouting through a narrow cave system, and I fear some of the intensity is lost in wild shots and cluttered voices. However, the scene is redeemed by a chilling, unexpected visual that will recur in my nightmares for decades. 

*Spongebob voice* I don't need it. I DON'T NEED IT.

*Spongebob voice* I don't need it. I DON'T NEED IT.

Really, it was worth it. This film freshened up the found-footage style for me. The characters were actual people (lesbian stereotypes aside) and I was concerned for them. Jill Larson nails the complicated role of Deborah and manages to make me sympathize with her and fear her. Eternally. I mean, my gawd. Altogether, this movie was deliciously frightening, notable more for the reality-based attributes (Alzheimer's, interesting characters) than the supernatural ones (the mythology was useful to the plot, but was nothing groundbreaking, and that's just fine). 

Put this on your Halloween to-watch list. It's currently on Netflix, so hop to it. If spooky isn't your thing but you still want to support me because you love me or feel obligated or what have you, not to worry. I intend to review other movies, books, or shows in the future. Someday, I might even come up with a regular schedule for posting reviews, blog entries, and prompts. Someday. 

In the meantime, snuggle up with your loved ones and a crucifix to watch the most unusual possession movie I've encountered to date.

Bad At Moving

This weekend, I moved. Many people find moving to be an intimidating process, but I believe it can be broken down into easy-to-manage components:

  • Avoiding packing by watching Netflix, reading comics, and developing a website for yourself (that you tell no one about because you don't know what you're doing with it yet and all you really want is to start that "platform" thing that all the books about writing insist is important)
  • Frantically packing all the random, fragile, meaningless crap you've accumulated over the years with neither strategy nor forethought the day before the move
  • Crying
  • Smashing furniture through stairways and people
  • Pulling splinters out of the inside of your knuckles (that tender bit where the finger folds)
  • Soiling previously healthy relationships with your hangry sassing while unloading an increasingly heavy sofa
  • Weeping about soiling previously healthy relationships and pulling more splinters out of parts of your body that surely can't have touched something that produces splinters
  • Where are these splinters coming from?? It's not like you furnished your apartment with rustic period pieces. Most of your junk is plastic or fake laminated wood but you've pulled enough splinters from your flesh that you could construct another bookshelf out of them
  • Buying another bookshelf (instead of constructing your own bloody aberration) to house the bajillions of books you now jointly own with your roommates
  • Finding three more boxes of books now that you've purchased (and filled) two additional bookshelves
  • Crying again because the book problem is really one of the better problems to have
  • Crying because there are many additional problems and you think you might be an additional problem yourself
  • Drinking
  • Crying
  • Vacuuming two years of budgie feathers, birdseed, and crushed dreams out of your old apartment
  • Dropping off the keys to your old apartment after mixing up the new and old keys at least 50 times
  • Continuous drinking and rearranging your multitude of personals for the rest of your life (or until it's time to move again) and preparing for your debut on the hit TV documentary program, Hoarders

So, if you've got a move coming up, just remember that you'll pull through eventually, and will probably be left with only small physical and emotional scars that can be healed by time, therapy, and whiskey. You might also be left with a cranky bearded dragon, two screaming birds, two definitely not screaming fish, and a gourd-shaped cat.  Also two loving roommates who will someday forgive you for being so damn bad at moving.