Whoa Mama, Book Mamas!

The Jerk, 1979

My shipment of Necessaries should arrive tomorrow, and I'll be taking those books to a self-published authors' book fair at Bookmamas bookstore this Saturday. Things are going to start happening to me now!

Look! My name's on their front page

If you're in the Indianapolis area, you should definitely check this place out. The fair itself is this Saturday, February 20th, 1:30 - 4 pm. You have no idea how much local writers appreciate just seeing you show up for something like this. Obviously, if you haven't bought a copy of Necessaries, this is a terrific opportunity to do so. When you purchase from the fair, part of that purchase goes to Bookmamas, a fantastic local business. 

Also, these copies of Necessaries are special editions. By special editions, I mean I didn't include the copyright and author bio that are now included in my official release, so there are some handwritten portions to add to the, um, character of the book. Hey, I promise these editions are gonna be something extra special when I hit the big time. Plus, they'll be signed! If you'd like, of course. 

Anyway, I can't wait to see you this Saturday! If you can, I'd love to go to drinks and/or dinner with you afterward. Comment if you're interested, or just show up and we'll go from there. 

Bookmamas

9 S. Johnson Avenue
Indianapolis, IN 46219
317-375-3715

 

 

No, I Won't Shut Up About It

As you may have heard via Facebook, Instagram, my actual mouth, or the robotic spiders with earbud-sized speakers that I placed in your home to constantly steam my propaganda directly to you, I wrote a book, and that book is now for sale.

Quick! Click my shiny new BOOKSTORE link in the corner to get your copy of Necessaries!

What? You want a reason to get this book? You mean, aside from the fact that you'd be supporting a local artist and stimulating the economy by putting buying power back in the hands of ordinary citizens rather than the large corporations that only serve to funnel money out of the community? 

What was that? Oh, too intense for ya? Okay, let me try to convince you that this book is worth buying. First, some reviews from fans.

"I like that the back cover and the side are black. The book is about an inch thick. The cover feels kind of silky." - my dad (paraphrased)

*SCREAMING WHILE SNEEZING* - my roommate

"The book starts talking about aliens[.]" - my parents' neighbor

"What do we do? Remember, we're not millennials." - my uncle, regarding purchasing the book from an online market place that has been in operation for longer than many millennials have been alive

"weouiriiiiiiiiiiiiiiiiiiiiiiiaeibaebbbbbbbbOIOJIDDDDDDDDD" - my cat when I put her paws on my keyboard and told her to get to reviewing if she wants her catnip mouse toy refilled any time soon

Pretty compelling, right? I thought you'd be impressed. Are you seriously asking me for more stats on the book? What sets it apart, you ask? Well, fine, since you asked, here are a few of the noteworthy features Necessaries offers:

  1. Diversity in the cast: Necessaries is about more than alien plots and superhero antics (though it has plenty of both). It's a story about real people in a very unreal situation, and real people come in a lot more styles than white, straight, and able.
  2. An under-appreciated setting: Isn't it about time for something super to happen to someplace that isn't New York or a New York proxy? HOW ABOUT INDIANAPOLIS, SUCKAAAAAAH
  3. Entertaining plot twists: I know M. Night Shyamalan has made you bitter, but I'm here to sweeten you back up with twists and developments that are there to enrich the reading, not trick you or create cheap shock.

Come again? You only read books if they involve the action-intense destruction of public property? Wicked, you'll love this. What else, did you say? You only read books if there's a sweet and believable romantic aspect? Boy howdy, I've got that! 

What's that? You've been looking for a book that's melds genres seamlessly into a read that's funny, suspenseful, action-packed, heartfelt, and somehow believable even though it's about aliens invading from an unknowable dimension and feeding off the entertainment value provided by turning mortals into superheroes?

Then please, please give Necessaries a try. Seriously, if you like my Facebook quips or my blog posts, then you'll really enjoy this story. If I'm wrong, you can call me out on it, but you'll have to read it first!

Now will you click that new "BOOKSTORE" page and validate me? XOXOXOXO

When Marnie Was Queer

Buckle up, kids, it's going to be an emotional ride and if you don't cry at some point, you're dead inside and our friendship is over.

I will defend Studio Ghibli to the death for its incredible contributions to cinema. The fantastical stories, the breathtaking visuals, the music you can feel in your heart, the characters you never want to leave. The messages in these movies are valuable for people of all ages and cultures. These are films of love, adventure, friendship, kindness, environmental awareness, the meaning of family (and that family can be a very broad term). It's easy to feel like you know these characters personally, and you root for them to succeed. Unlike many Western films, Ghibli movies can have romances that don't dominate the story and that actually seem believable.

Which is why When Marnie Was There felt like such a slap in the face. 

Like I said, Ghibli creates wonders, and Marnie is no exception. The subtle expressions draw you into the psyche of the protagonist, who is a complex, realistic young woman. The animation is fluid and flawless (don't get me started on how the food is rendered). As always, Ghibli handles its female characters in ways American studios (animation or otherwise) would be wise to emulate. In fact, I'm pretty sure this movie fails the reverse Bechdel Test, which means two male characters are never seen talking about any subject other than a woman. I don't think two male characters are ever seen conversing at all! 

All of the above is enough to rank this movie near the top of my favorite Ghibli productions. And the cherry on top? The two principle characters - Anna the self-hating, introspective protagonist and Marnie the adventurous and mysterious stranger - seem to have something romantic going on. That's right. Two gals being pals, doing typical pal stuff like holding hands, slow dancing, and proclaiming their love for each other.

Jackpot.

Listen, we lesbians don't get a lot of positive screen time. I mean, here are some typical lesbian film premises:

  1. Two "straight" women fall for each other. One of them will die or return to her husband at the end of the film. Apparently bisexuality isn't a thing either?

  2. Two gay women fall for each other. One dies or is converted and winds up with a husband. The other kills herself.

  3. Average straight white dude converts a foxy, free-spirited lesbian to the wonderful world of heteronormativity. All of the dude's friends are turned on by this.

  4. Straight-up pornography for consumption by straight dudes fantasizing that the two unrealistic-looking ladies giving each other sloppy kisses and licking magically hairless genitals will proceed to pleasure him once they're done scissoring (which is not a thing).

  5. Two women in a foreign country fall for each other. Somebody is definitely going to die. Or it will be a weird, ambiguous ending, full of melancholy and wide shots of gray landscapes.

  6. Two women get it on in the middle of the movie for no real reason. One of them may not actually exist.

I could go on. The point is, lesbians, bisexual, and pansexual women don't get to see many stories about themselves that have happy endings. Trust me, I ship as many straight couples as any other internet nerd, but there's something different when I get the chance to ship a cannon queer couple. I see myself in them, a piece of my story that I don't really see with heteromantic pairs. 

So when Anna - a character I relate to in many ways regardless of sexuality - holds hands and blushes with Marnie, I get hyped as hell. These two profess their love for each other, for crying out loud! My fiancé, Kelsey, and I were literally chanting for them to kiss. We get to see hundreds of straight characters kiss across all kinds of media every day. Cartoons, commercials, billboards, romcoms, action movies, on the damn street! But a gay couple? That's too edgy, not for children, too sexually weighted, immoral and inappropriate. 

Which is why it was so frustrating to watch my ship strike an iceberg in the plot. Without spoiling the ending, I'll just say that the Anna/Marnie duo (or my ship name for them, Manna, as in "manna from Heaven") is morally unshippable, and not for reasons of queerdom. 

Come on, Ghibli! You dangle this delight, this possible equivalent of all your spectacular and endearing boy/girl pairs, in front of my face, and yank it away in a sudden twist? Queer-baiting isn't cool.

The ending, frustrating as it was for someone who wants to see the romance she's waited for since childhood, was solid. Turmoil is resolved, hope for the future is established, wounds are healed. Even I have to admit that the final relationship between Anna and Marnie, despite being decidedly platonic, is heartwarming. But... but my little gay girls! All that build up! The hugging, faces flushed, after whirling in a romantic dance by the cove! It just wasn't meant to be...

So, the day hasn't come for me to get the queer characters I crave from the studios I love. But that doesn't make this a bad movie. Like I said to begin with, Marnie is magnificent, and I'll gladly watch it again and again. Marnie tiptoes to the edge of an LGBT animated feature, but doesn't quite cross the line. Perhaps that's a sign of progress. We're not there yet, but maybe, give a decade or so, LGBT kids will see princes with princes and princesses with princesses in their entertainment. 

I'm extremely excited to see that.

(Note: I haven't read the book that the movie is based on. I can't speak for whether it was quite as queer-baiting as the movie. I do want to read it, because regardless of the presence of The Gays, this is a wonderful story.)


March 2019 update

I re-watched Marnie the other night, just over three years after I originally wrote this piece. Given the comments and traffic this post has received (far more than anything else on my little site!), something about the movie and its ambiguous queerness clearly strikes some nerves.

Before sitting down to watch the film again, I thought to myself, “Perhaps I read too much queerness into the movie on my first viewing. Maybe that’s why everyone is filled with such spite over this.”

So I kept an open mind as our two heroines blushed and danced and pined. I tried not to relate Anna’s sense of displacement and loneliness to my own queer childhood. I strained not to see myself in her as she gazed at Marnie with starstruck eyes and sobbed her proclamations of love to her from the battering waves of the marsh. I kept my mouth shut every time Anna’s mood plunged when confronted with “cute boy” talk or when Marnie danced with her beau-to-be.

As the credits rolled, I realized I had made a mistake. I said in 2016 that Marnie tiptoes toward the line of LGBT cinema, but doesn’t cross it. I was wrong.

Marnie is absolutely a queer film for me and thousands of others, whether it meant to be or not.

I understand that female friendships in Japan (and Japanese friendships in general) are different from Western friendships in terms of intimacy and physicality. I can’t claim expert knowledge of Japanese culture, but I’ve done a bit of homework on the topic, and I get how the differences can be significant, even jarring to an American viewer.

I also completely agree that representations of strong female friendships are important cross-culturally.

However, we seem to have plenty of those stories in movies, literature, television, and beyond. Which is great! I enjoy and value those stories, and there’s always room for more!

I’ve noticed, though, that while I can say that I appreciate those stories, the moment I amend the statement with a “but I sure would like more and better queer representation,” hackles are raised across the internet, and I harken to the sound of distant war drums.

I’m not asking for every story to be a romance, much less a gay one. I’m not ignoring the loveliness of the intimate friendship story that Marnie tells. I’m looking at a piece of cinema which was produced by a Japanese studio for a global audience, and I’m seeing something that maybe wasn’t intended to be baiting but is very easily read as such, and I’m formulating an opinion as an audience member.

The opinion that I’ve formulated has come from research, listening to other opinions (even the bitingly snide ones… goodness, folks!), and from my personal viewing experience.

Let’s look at that last one. What makes Marnie queer is my own experience of it. It may not be queer to you, and that’s perfectly fair! The marvelous thing about stories is that they can mean different things to different people, regardless of the creator’s intention. If you need a story of family bonding and a healing female friendship, then that’s what Marnie is to you.

To me, it’s a depiction of a queer childhood (check out this great review on the subject). It’s about a girl who feels painfully out of place, unwanted, and alone. She’s surrounded by options for friendship, both at school and with the Oiwa’s, but feels separate from the other girls in a way she can’t quite pin down, which adds to her crushing self-hatred. Then she meets a different sort of girl, and her heart opens up for her. She takes on the role of the flower girl with which Marnie danced, secretly, beautifully. She cherishes her sketches of Marnie, holding them close in her sleep. She stands in for Marnie’s male suitor, briefly becoming the masculine romantic lead in Marnie’s narrative.

Anna finds herself in these little moments, and leaves the Oiwa’s as a changed person, capable of better and deeper friendships now that she has a better and deeper understanding of herself.

I’ve been there. I’ve had a crush that changed my understanding of myself and my ability to contextualize myself with my peers. So many LGBT kids know that exact experience.

That’s what makes it queer for me, along with this one other detail. It’s been long enough that I’m not going to hold back from spoilers.

Marnie’s diary describes her dancing with the flower girl during one of her parents’ parties. That, along with so much of Marnie and Anna’s relationship, is described as as secret. Marnie lived a life of restriction and neglect. So many doors were closed to her, perhaps because of the nature of her family, perhaps because of the time period.

But the doors that were closed to Marnie are open to Anna.

In my personal version of the story, I like to think that Marnie is reaching through time to her granddaughter, encouraging her to open herself up and take advantage of the world that Marnie could never be part of. Marnie and the flower girl’s story could never be, but Anna has the chance to find her own flower girl.

I hope you find some piece of yourselves in Marnie. I hope for more overt inclusion in future films, and I think that’s a theme that’s appearing more frequently, for which I’m grateful. And I hope that all of our experiences can happily co-exist.

Superheroes For Hire

Like so many other overly optimistic couples this Christmas, Kelsey and I acquired Fitbits with the intention of getting in shape for our November wedding. So far, I've made use of mine by lying about my calorie intake and trying to look cool by pushing up my sleeve in public to check my step count.

These guilt-tripping pieces of tech are actually pretty useful, if you use them right. They track your sleep, calories burned, miles walked, active minutes, weight, all the stuff someone trying to be more aware of their health needs. And it's not just your own health you can monitor. If you have friends using the app that goes with the Fitbit watch, you can look at their accomplishments (you get badges for meeting challenge goals, like hitting 10,000 steps or losing a certain amount of weight). This feature opened my eyes to the reality of Kelsey's daily life.

Let me start with my own typical stats. Working in a wealth management office, I get maybe 6,000 steps in on a good day. I only work at the office for half the day, and the rest of the day is for my own errands and hobbies. I sleep about 5 hours a night, which is not by my preference, as I could be an Olympic sleeper if such a sport existed. I stay up so I can see Kelsey for a couple hours every day.

Kelsey gets up about the same time as I do, around 7:30 or so in the morning. While I drive 10 minutes to get to my office, she drives 30 to get downtown, where she parks in a lot she pays for every month and walks another 15 minutes (regardless of weather) to reach her unpaid 40-hour-a-week internship with the Indiana Repertory Theater. After working a full day there, walking all over the theater, up and down narrow stairs, across catwalks, she walks 15 minutes back to her car and drives 30 to 45 minutes to her next job, the only type of job that someone who already works full time with sometimes unusual hours can reasonably hold.  

Job #2, Marco's Pizza, where she is wildly overqualified and wildly underpaid. Where her coworkers don't care and she shouldn't have the energy to care either. Where customers regularly stiff her on tips when she delivers (at a rate under minimum wage, at her own expense for gas and maintenance on her overworked car). At least she's rising through the ranks, but that means a less flexible schedule, so less free time for her.

When she comes home at about 1 in the morning from a 16 hour day, her Fitbit lets me know that she takes an average of 16,000 steps every day. She's had the Fitbit for less than 2 weeks, and in that time, she's walked 26 miles with it on. I walk 4,000 steps a day on average. She walks 4 times farther than I do. She works 4 times longer than I do.

She eats an absurdly late dinner, we try to relax with a show or a game, and then it's time to squeeze in those 5 hours of sleep. If you can call it sleep. The Fitbit tracks the time she spends awake and restless. While I'm sleeping like I've been given horse tranquilizer, she's next to me tossing and turning, losing around 45 minutes of sleep a night.

It's no wonder she sleeps like she's being tased every half hour. Her car is in constant need of repairs that she doesn't have the time or money for, loans are looming above her like a cartoon anvil hanging by a fraying thread, she still has another giant internship to complete to get her degree (that you can bet will be unpaid, because if there are thousands of near-graduates with a 6 month internship requirement flooding the market and fighting for positions, there's no reason to bother paying them)... the list could wrap around the world.

If we weren't living together with our third roommate (the marvelous Cade, who is also underemployed and underpaid and watching her student loans fall toward her neck guillotine-style), we wouldn't be able to live on our own, making car and rent payments, keeping the lights on and the fridge stocked. And we're lucky to have that. We are luckier than millions in our generation. The jobs that we were told would be there for us after college don't exist in numbers substantial enough to support us, and the jobs that are there misuse our skills and leave us with too little money to pay back the massive loans required for an education that seems increasingly pointless. How can we be expected to invest or innovate when we have no funding and no time?

The truth is, you have to be a superhero to find a place in this market. Kelsey and Cade are two of the hardest working, brightest, and most caring humans I know. They care about their work when their work doesn't care back. They work themselves to the bone just to scrape by (it's only recently that Cade's workday has been shortened from Kelsey's, and during that time, she had to survive on food stamps and personal loans). Their spectacular minds aren't given the time or energy to reach their full potential.

And you know what? They tip. I've seen Cade tip over 100% on a meal she can't afford. They help friends and strangers in need, providing rides to work, picking up extra hours. They actively strive to improve the quality and efficiency of their work. Kelsey is overflowing with ways to improve her store, and is frustrated by the lack of passion (or competence) of her coworkers, and the broken system of store management that I fully believe she can fix.

These people are superheroes battling a vicious job market, an increasingly split socioeconomic environment, and an education system that's wringing them for all they've got. When you shout at a kid who made your coffee drink different from how you wanted, it's one of them you're shouting at, and they've been dealing with jerks like you all day, and on only a few hours of sleep. The lazy pizza delivery guy stereotype? Your delivery person may in fact be working their second job, missing the turning of the new year with their friends and family so you can order your pizza at the last minute.

Even living with these heroes, it's taken me a while to understand just how difficult their fight is. I'm privileged beyond belief. I didn't pay for my education. It was given to me. I've never worked a true service job, and the closest thing I've had to it was a relatively cushy office job with a 401K and paid vacations. 

Please appreciate the superheroes in your life. They're fighting for an American dream that no longer exists, but somehow, they're still the kindest, most driven people I know. If you have the opportunity to hire one of these people, don't throw out their resumes because they don't have the experience. Give them that experience, and they will give you something incredible back.